Untitled Flows: All My Love

Some artists build their sound by picking a lane. Untitled Flows builds his by refusing to. The 21-year-old artist and content creator from Little Rock, Arkansas, now based in Austin, Texas, moves between alternative hip-hop, alternative metal, and goth-rock as if they were always meant to live on the same record. Distorted guitars under bars. Bars under a chorus you'd expect from a rock band. None of it forced — all of it his.

You can catch him in the Austin underground most weekends. He's an active part of the Night Crawlers collective, regularly playing showcases and pop-up gigs alongside the next wave of Austin's experimental scene. It is exactly the kind of work that doesn't always make it to a playlist algorithm but is shaping what the city actually sounds like right now.

Where It Started

His musical journey started at seven years old, when his uncle gave him his first keyboard. Shortly after, his uncle passed from a brain tumor. That keyboard became more than a gift — it became a lifeline. As Untitled has put it himself, the music carried him through abuse and depression as a kid. The notebooks filled up. The songs kept coming. The instrument his uncle put in his hands became the way he stayed himself.

That history is not a sidebar in his catalog. It is the catalog. Every record carries some of that weight, and that is what gives the music its honesty. Listeners hear it; the people closest to him hear it; and increasingly, audiences across the Austin underground hear it too.

AML — All My Love

“All My Love.”

The slogan is short and load-bearing. AML — All My Love — is what Untitled Flows lives by, on record and off. It is a promise to put everything he has into everything he does. It is also a thank-you back to his uncle, and a hand reaching forward to anyone listening who needs the same lifeline he found at seven.

It is the goal stated plainly: he wants the people who listen to his music or watch his content to feel the same love of art that was given to him. Not a brand. Not a marketing line. A working code.

The Sound

Calling it “alt hip-hop” covers a third of what he does. Calling it “alt metal” covers another third. The goth-rock influences fill in the rest. Untitled Flows is one of those artists where the genre tag is less useful than the question “does it move?” — and it does. The records are layered, the energy is high, and the live show is built to translate all of that into a room.

It is the kind of sound Austin's underground has been quietly cultivating for years: hip-hop that isn't afraid of guitars, rock that isn't afraid of 808s, and an audience that doesn't need permission to enjoy both.

Why Rhythm & Rise Live

Rhythm & Rise Live was built for artists like Untitled Flows — independent, genre-fluid, and grinding without a major-label safety net. The 12-hour live event puts 36 of Austin's R&B and Hip-Hop artists on one unified stage and streams it free to the world from a private production studio in Austin. No paywall. No ticket. Just the music, the platform, and the people who showed up.

For an artist whose whole pitch is all of it, all the way in, that is the right room. He stands alongside Austin's next wave of voices — people pushing the city's sound forward instead of replaying its past. The mission of the event is the same as the mission of the music: elevate independent voices, honor the craft, build something that lasts.

Listen

Streaming links coming soon. Follow on Instagram for releases, show announcements, and Night Crawlers pop-ups.

The Quick Read

The full lineup is being announced over the coming weeks. Subscribe to the newsletter to be the first to know when the rest of the artists drop — and to vote on the Up & Coming slots before the public reveal.

The Interview